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Adult Workshops

Austin Bat Cave offers adult writing classes for writers of all skill levels. Because we want our programming to be accessible to writers of all backgrounds and income-levels, we are pleased to offer participants support through scholarships and payment plans. Apply for a scholarship here, and for more information on payment plans, please email emily@austinbatcave.org. Unless otherwise noted, all classes take place at Austin Bat Cave on Rosewood Avenue (map). 

Please note: The fees from ABC’s adult writing workshops subsidize our free writing programs for kids and pay our adult workshop instructors. A major factor in determining tuition rates is the instructor’s time and preparation outside of the classroom. Classes that provide students with highly-personalized feedback, such as long-term workshops, will generally be priced higher than courses that meet only once. 

All classes are non-refundable but are transferrable to another person or to another class of equal or lesser value!

2020 Instructors include Rachel Heng, Jenny Tinghui Zhang, Bridget Brewer, and more.

Spring 2020 Adult Writing Classes & Workshops

Dear Diary with Bridget Brewer

Tuition: $200.00

8-week Open-Genre Workshop — 12 students

Time & Date:
Tuesdays, 6:30 — 9:00 pm
January 21st — March 17th
(no class March 10th)

Registration is FULL.

Using diaries as our central focus, this cross-genre course will dive into the politics and power of voice, outsider art, and how to engage in more vulnerable art-making. We’ll examine diaries by Lou Sullivan and Anais Nin, Jafar Panahi’s film This Is Not A Film, Marlee Grace’s Instagram dance-a-day movement project, Neither’s diaristic album trauma, Bhanu Kapil’s Ban En Banlieue, and others in order to attempt to answer the following questions: Who gets to/is asked to be vulnerable in public spaces? How do diaries change shape when they move from private to public? How can we honor our own diaries and our selves?

Participants will come away with a collected diary they’ve written themselves, as well as a zine of entries from each participant. A public event will conclude the workshop, during which we will do a brave thing: Treat Our Diaries As Real and Valid Literature By Presenting Them Out Loud In Front Of People!

About the Instructor:

Bridget Brewer is a writer, performer, and educator based in Austin, TX.  Her work has been supported by national and international fellowships, and has appeared or is forthcoming from The Best Experimental Fiction of 2020, Puerto del Sol, Tarpaulin Sky, The FANZINE, and more.  Currently she serves on the Board of Facilitators at HIVE Arts Collective, and as co-frontperson in a queergrass band.  She can be found at bridget-brewer06.com.

Start Your Novel: A Generative Fiction Workshop with Rachel Heng

Tuition: $500.00

8-week Fiction Workshop — 12 students

Time & Date:
Thursdays, 6:00 — 8:30 pm
January 16th — March 12th
(no class March 5th)

Register here!

Will 2020 be the year you start writing that novel? Perhaps you’ve never written fiction before, but you have an idea for a story that you can’t stop thinking about. Or you’ve already started writing a draft and are struggling to keep it going. Or you’re a writer of short fiction thinking of diving into a longer project for the first time. If you want to start writing a novel and are looking for practical guidance and a supportive environment, this 8-week long generative workshop will help you explore your idea, develop your characters, outline out your story, and get writing.

The first 4 weeks of the course will be focused on craft lectures, generative exercises and developing a writing practice. Together, we’ll discuss subjects such as world building, voice, character development, dialogue, plot and structure. Expect to be working on in-class writing exercises. At this stage, we’ll also discuss writing routines, how to fit writing around your daily schedule, setting goals and staying motivated. The second 4 weeks of the course will be focused on workshopping. Each participant will workshop once, submitting up to 25 pages of a novel opening or chapter. You’ll receive practical, supportive and detailed feedback on your submissions. Feedback will be geared towards questions, development and next steps rather than ‘fixing’, since novels will be works-in-progress. By the end of the course, students will have written at least a first chapter, created a plan for the rest of their novel, and developed a sustainable writing practice.

About the Instructor:

Rachel Heng is the author of the novel, Suicide Club (Henry Holt, 2018), which was featured as a best summer read by outlets such as The Irish Times, ELLE, Gizmodo, NYLON, The Rumpus and Bustle. Suicide Club will be translated into ten languages worldwide and won the Gladstone Library Writer-In-Residence Award 2020. Rachel’s short fiction has received a Pushcart Prize Special Mention and Prairie Schooner’s Jane Geske Award, and has appeared or is forthcoming in Glimmer Train, Guernica, McSweeney’s Quarterly, Kenyon Review, Best Singaporean Short Stories Vol. 4 and elsewhere. Her non-fiction has been listed among Best American Essays’ Notable Essays and has been published in The Rumpus, The Telegraph and elsewhere. She has received grants and fellowships from the Vermont Studio Center, Sewanee Writers’ Conference, Kenyon Review Writers’ Workshop, Fine Arts Work Center and the National Arts Council of Singapore. Rachel is currently a James A. Michener Fellow at the Michener Center for Writers, where she is pursuing her MFA in Fiction and Playwriting.

Researching for Long Narratives with Emma Copley Eisenberg

Tuition: $95.00

One Open-Genre Workshop — 15 students

Time & Date:
Tuesday, March 10th, 6:30 — 8:30 pm

Register here!

Often when we hit stalls and stumbles in our work, it’s because we have not gone deep enough or have not yet mapped our story’s true heart. How do we find our way there? One way is research and reporting. If the old adage is “write what you know,” points out Margot Livesay, “research helps us know more.” In this seminar for writers engaged in a fiction or nonfiction project at any stage, we will investigate how the four modes of research—1) Archival documents/data records 2) Newspaper articles/court documents 3) Interviewing and experts and 4) Experience and self research—can be used to check and correct our own memories, open up new corners of the universe previously unknown to us, teach us about experiences we could never have, and instruct us in trades, skills, processes, and the inner workings of communities. Whether you are pursuing a story, novel, essay, memoir or book of reported nonfiction, this course will introduce you to the basics of using research and reporting to tunnel more deeply into your characters, settings, time periods, and subcultures, steadily steering you away from tired choices and towards the insight and surprise that only the real world can offer you.

About the Instructor:

Emma Copley Eisenberg’s fiction, essays, and reportage have appeared in McSweeney’s, The Paris Review online, Granta, The Virginia Quarterly Review, Tin House, Guernica, AGNI, The Los Angeles Review of Books, American Short Fiction, Electric Literature’s Recommended Reading, The New Republic, Pacific Standard, Slate, VICE, 100 Days in Appalachia, and others. She is the recipient of fellowships or awards from the Tin House Summer Workshop, the Elizabeth George Foundation, the Wurlitzer Foundation, the Millay Colony for the Arts, & Lambda Literary. Her first book of nonfiction, The Third Rainbow Girl: The Long Life of a Double Murder in Appalachia, will be published by Hachette Books on 1/21/2020. She is a fiction editor for AGNI and lives in Philadelphia, where she directs Blue Stoop, a hub for the literary arts.

Stories that Sing: An Introductory Short Fiction Workshop with Shannon Perri

Tuition: $400.00

8-week Fiction Workshop — 12 students

Time & Date:
Tuesdays, 6:00 — 9:00 pm
March 24th — May 12th

Register here!

You’ve shown up for the page, perhaps before work, perhaps while the baby sleeps, and now you have a draft of something. You’ve read it over and over to yourself and have no idea if it’s any good. What’s next? Now is the time to take the plunge and share your work-in-progress with a supportive, dedicated community of writers who are in the same boat as you.

In this short fiction workshop, each student will have the opportunity to submit two fiction works for feedback. Short stories, flash fiction, and novel excerpts will all be accepted. Each submission will receive thoughtful, constructive feedback through discussion and written critiques, provided by both the instructor and fellow classmates. The goal is that you’ll leave the class with ideas for revision that honor your intention and an overall sharper editorial eye. In addition to the workshop, we’ll use class time to discuss writing life, craft, editing strategies, and how to submit your work for publication.

About the Instructor:

Shannon Perri holds an MFA in Creative Writing from Texas State University and a master’s degree in Social Work from the University of Texas. Her writing has appeared in various newspapers and literary magazines, such as Houston Chronicle, The Austin-American Statesman, and fields magazine. Her short story, “Liquid Gold,” was a finalist for the 2019 Texas Observer Short Fiction contest; her story, “The Resurrection Act,” was awarded a 2016 Joyland Magazine Publisher’s Pick; and her story, “Orientation,” was nominated for a Pushcart Prize. An earlier draft of her novel-in-progress was selected as a finalist for the Writer’s League of Texas 2018 fiction manuscript contest. When not writing or reading, Shannon is usually teaching. She’s taught writing for Texas State University, the Travis County jail, the Library Foundation, and private workshops. When not writing, reading, or teaching, she’s likely spending time with her husband, new son, and menagerie of pets.

You are a Poet. with Susan Niz

Tuition: $350.00

6-week Poetry Workshop — 12 students

Time & Date:
Wednesdays, 6:00pm — 8:00pm
March 25th — April 29th

Register here!

This class is focused on developing one’s poetic practice through closer observation of the world around us. We will discuss elements such as using grounding details and imagery, creating motion in our poems, imbuing our unique point of view and incorporating select narrative elements in our poetry. We will take ownership of words through studying their sound and meanings and explore associative connections (comparisons) in language and poetry. Through learning how to read mentor poems and in-class exercises and drafting, we will start to explore form, voice, and content. The class is for beginners and poets of all levels who want to delve more deeply into their practice. Sharing of exercises will take place more than workshopping, as the focus is steered toward process. By the end of the class, students will have tools to develop a daily practice and beginning revision strategies for first drafts.

About the Instructor:

Susan Niz’s first poetry chapbook is Beyond this Amniotic Dream (Beard Poetry, Minneapolis, 2016). She has a second chapbook, Left-Handed Like a Lightning Whelk, forthcoming with Finishing Line Press (November 2019). Her short work has appeared in Wanderlust Journal, The Write Launch, Ponder Review, Chaleur Magazine, Typishly, Tipton Poetry Journal, Carnival Literary Magazine, Crack the Spine, Blue Bonnet Review, Two Words For, Belleville Park Pages, Ginosko, Cezanne’s Carrot, Flashquake, Opium Magazine, and Summerset Review. She has been featured in live poetry shows in Minneapolis and Austin. Susan writes across genres. Her novel Kara, Lost (North Star Press, 2011) was a finalist for a Midwest Book Award (MIPA) for Literary Fiction. Susan also writes for a non-profit organization working to alleviate global poverty. She has a Master’s Degree in Education, raises kids, has been a grassroots community organizer, and conserves Monarchs. She recently relocated from Minnesota to the Austin, Texas area.

Reconnecting to the Body with Leticia Urieta

Tuition: $200.00

6-week online Open-Genre Workshop — 10 students

Time & Date:
Mondays, 7:00 — 9:00 pm
March 30th — May 4th


Register here!

The body carries our stories, but sometimes delving into these stories can be difficult and painful to navigate. We have to engage in acts of radical and deep reflection to fully embody and write about the traumas, beauty, pain and healing that our bodies are capable of holding.

This six-week online workshop will ask you to engage in these acts of radical reflection in order to explore your relationships to the body through free writing, memoir and poetry. We will explore how writers embody their experiences through poetry and prose by studying contemporary poets and writers who are engaging with discussions about the body and chronic illness, pain, trauma and healing. Participants will be given the opportunity to generate new work as well as to engage with their own work (or ideas) in progress. This workshop will also help participants to engage more deeply with their writing and to learn how to effectively respond to and critique the work of their peers.

Participants will be asked to submit one short piece to the instructor as well as to one another in peer groups, depending on the class size, to receive structured feedback.

About the Instructor:

Leticia Urieta is a proud Tejana writer from Austin, TX. She works as a teaching artist in the Austin community and is the Regional Program Manager at Austin Bat Cave. She is a graduate of Agnes Scott College and holds an MFA in Fiction writing from Texas State University. Her work appears or is forthcoming in Cleaver, Chicon Street Poets, Lumina, The Offing, Kweli Journal, Medium, Electric Lit and others. Her chapbook, The Monster, is out now from LibroMobile Press. She is currently at work completing her novel that tells the story of a Mexican soldadera caught up in the march to Texas during Texas’ war with Mexico.

The Personal Essay, Revamped with Jenny Tinghui Zhang

Tuition: $450.00

8-week Non-Fiction Workshop — 12 students

Time & Date:
Thursdays, 6:30 — 9:00 pm
April 2nd — May 21st

Register here!

A diary entry. A Facebook post. A cover letter. A list on a post-it note. Since the writings of Seneca, the personal essay has always been a way for the writer and reader to connect through an intimate and honest exchange. Today, the modern personal essay has evolved to take on many different forms.

In this 8-week workshop, we’ll learn how to develop, structure, write, and publish personal essays, analyzing work by Alexander Chee, Joan Didion, Hanif Abdurraqib, James Baldwin, Cheryl Strayed, and others. Students will learn and practice techniques that bring self-awareness and reflection to the forefront of an essay, emphasizing vulnerability over navel-gazing. In the second half of the course, students will share and discuss their essays in a workshop setting.

Because this course deals with personal experiences, please remember to be respectful and compassionate as you take part in each class. This is a safe space for writers to tell their stories, whatever they may be.

About the Instructor:

Jenny Tinghui Zhang is a Chinese-American writer from Austin. She holds an MFA in nonfiction from the University of Wyoming, is a 2016 VONA/Voices alumna, and a participant of the 2019 Tin House Summer Workshop. A columnist for Catapult, her work has appeared in or is forthcoming from Apogee, CALYX, Ninth Letter,Passages North, wildness, and The Rumpus, with essays in Huffington Post, Bustle, and HelloGiggles, among others. She is a prose editor for The Adroit Journal. 

You Can Do Comedy with Amy Jordan

Tuition: $65.00

2-week Open-Genre Workshop — 10 students

Time & Date:
Saturdays, 3:00 — 6:00 pm
March 28th — April 4th

Register here!

In this workshop, Amy Jordan will teach you the basic formats of sketch comedy and you will work in class to learn the structures and patterns of comedic writing. By the end of this workshop, you will have sketches written and you will have a framework to write more. (Great for beginners to sketch comedy!)

About the Instructor:

Amy Jordan has been teaching improv and sketch comedy in Austin, Texas for the past 10 years. She teaches regularly at Fallout Theater and Georgetown Palace Theater. She is currently the producer and host of Yes But Why, a weekly podcast which interviews performers around the world about their journey as an artist: yesbutwhypodcast.com. Amy Jordan is also the proud co-owner of HC Universal Podcast Network.

If you are interested in leading a writing workshop for adults, please email emily@austinbatcave.org.

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